| 2004 |
BECKETT |
Archbishop |
John Caird |
Haymarket Theatre |
|
| 2002 |
THE IMPORTANCE OF BEING EARNEST |
Canon Chasuble |
Bill Alexander |
Theatre Royal, Northampton |
|
| 2001 |
LOVE’S LABOURS LOST |
Don Armado |
Steven Unwin |
English Touring Company |
|
| 2000/1 |
HAMLET |
Ghost/Player King |
Bill Alexander |
Birmingham Rep/Tour & Elsinore |
|
| 2000 |
THE CHERRY ORCHARD |
Gaev |
Steven Unwin |
English Touring Company |
|
| 1998 |
HAMLET |
Ghost/Player King |
Bill Alexander |
Birmingham Rep |
|
| 1998 |
CAUSE C…L»BRE |
Judge/Francis Rattenbury |
Neil Bartlett |
Lyric Hammersmith |
|
| 1997 |
WHAT THE BUTLER SAW |
Dr Rance |
Michael Grandage |
Crucible, Sheffield |
|
| 1997 |
MRS. WARREN’S PROFESSION |
Rev S Gardner |
Neil Bartlett |
Lyric Hammersmith |
|
| 1996 |
ENDGAME |
Hamm |
Alastair Middleton |
Arts Theatre |
|
| 1996 |
A SONG AT TWILIGHT |
Sir Hugo Latimer |
|
Greenwich Theatre |
|
| 1995 |
CORPSING |
Howard |
Diana Fairfax |
Tristan Bates Theatre |
|
| 1995 |
BARNABY DOWNING |
Barnaby Downing |
Alastair Middleton |
Gate Theatre/New End |
|
| 1995 |
FORTY YEARS ON |
Headmaster |
Tim Carroll |
Northcott, Exeter |
|
| 1995 |
THE CURLEW’S CRY |
Sir Peter Pears |
Tim Carroll |
Northcott, Exeter |
|
| 1994 |
GHOSTS |
Pastor Manders |
Sean Mathias |
Sherman Theatre |
|
| 1993 |
SINGLE SPIES |
Antony Blunt |
David Masarella |
Salisbury Playhouse |
|
| 1992 |
HENRY VIII |
Stephen Gardiner |
Ian Judge |
Chichester Festival |
|
| 1992 |
LES FEMMES SAVANTES |
Trissotin |
Tony Britton |
Chichester Festival |
|
| |
INADMISSIBLE EVIDENCE |
Maple/Jones |
Anthony Page |
Royal Court |
|
| |
CRUCIFER OF BLOOD |
Major Ross |
Paul Giovanni |
Haymarket |
|
| |
WOMAN IN MIND |
Vicar |
Hugh Hodgart |
Lyceum |
|
| |
EDWARD II |
Gaveston |
Clive Perry |
Arts Theatre & Leicester |
|
| |
DONKEY’S YEARS |
Quine |
Michael Rudman |
Globe Theatre |
|
| |
ROMEO & JULIET |
Paris |
Franco Zeffirelli |
Old Vic/World Tour |
|
| |
TWO GENTLEMEN OF VERONA |
Valentine |
Richard Digby Day |
Regent’s Park |
|
| |
TRAVESTIES |
James Joyce |
Peter Wood |
RSC |
|
| |
THE CLANDESTINE MARRIAGE |
Sir John Melvil |
Anthony Quayle |
Albery Theatre |
|
| |
DEMOCRACY |
President |
Matthew Lloyd |
Gate Theatre |
|
| |
1776 |
Thomas Jefferson |
|
Albery Theatre |
|
| |
HAMLET |
Hamlet |
Richard Digby Day |
Welsh Theatre Company |
|
| |
LORD ARTHUR SAVILE’S CRIME |
Lord Arthur |
Clifford Williams |
National Tour |
|
| |
JULIUS CAESAR |
Octavius Caesar |
Toby Robertson |
Bristol Old Vic |
|
| |
SCHOOL FOR SCANDAL |
Joseph Surface |
|
Derby Playhouse |
|
| |
THE RIVALS |
Falkland |
|
Tour |
|
| |
THE WINSLOW BOY |
Sir Robert Morton |
Cyril Frankl |
Vienna’s English Theatre |
|
| |
CYMBELINE |
Cloten |
AndrÈ van Gyselghem |
Nottingham Playhouse |
|
| |
PYGMALION |
Professor Higgins |
Richard Digby Day |
Newcastle Playhouse |
|
| |
THE SEAGULL |
Konstantin |
Geoffrey Ost |
Sheffield Playhouse |
|
| |
VOLPONE |
Sir Politick Wouldbe |
Hugh Hodgart |
Royal Lyceum, Edinburgh |
|
| |
THE COCKTAIL PARTY |
Sir Henry Harcourt Reilly |
Richard Digby Day |
Theatre Royal, York |
|
| |
WOMAN IN MIND |
Gerald |
Hugh Hodgart |
Royal Lyceum, Edinburgh |
|
| |
HAY FEVER |
Richard Greatham |
Roger Redfarn |
Far East Tour |
|
| |
LIONEL & CLARISSA |
Mr. Jessamy |
Laurier Lister |
Inaugural Guildford Festival |
|
